just enough to feel a small relief of pressure in the eye
I spit in my hand, on the old tree stump
1,2,3, steps I won’t take
to the axis from block one to four
to the axis from window to window
I was trying to outline the blurry lamppost
with a fingertip
behind the naked tree branches
make it sharp
and then I remembered I was sleeping
and I oozed out
I let things take me places
I make a together
stepping
one on top of the other,
everything is displaced, was something ever placed?
we are like children in shells sometimes
unfolding the way they are*
–
*Sleep walks in the streets, it is definitely not the title (the traducer apparently decided to romanticize it and it is most likely a more than human manner of seeing :)). I would also say that this kind of dream is pure, similar to those of children and that it comes and goes like in the midst of a turmoil. There are so many errors in language. Everything I say is not true. Or almost; that is to say, from your point of view, false. We have therefore left language, but there was nowhere to go, so we stayed here.
Exhibition view
Charlotte Houette Sans titre (face), 2012. Acrylic, ink, metal hinge, jean, wood, glue, 54 × 65 cm.
Exhibition view
Sophie Rogg Mmh mmh, j’ai frotté mes yeux gonflés de fatigue. Eh bien, elle me dit, crache dans l’amour comme tu craches dans la soupe, 2022. Fabric, cotton padding
Sophie Rogg Mmh mmh, j’ai frotté mes yeux gonflés de fatigue. Eh bien, elle me dit, crache dans l’amour comme tu craches dans la soupe, 2022. Fabric, cotton padding
Mélodie Blaison, Lacryma-jobi, 2022. Embroidery on fabric, wool, ceramics, Job’s tears seeds, metal elements.
Mélodie Blaison, Lacryma-jobi, 2022. Embroidery on fabric, wool, ceramics, Job’s tears seeds, metal elements.
Charlotte Houette & Antoine Trapp, Dumb Spirit, 2022. 3d hologram in a miniature metal locker, glue, paper, resin, wood, paint, polycarbonate, 27 × 11 × 11 cm
Charlotte Houette & Antoine Trapp, Dumb Spirit, 2022. 3d hologram in a miniature metal locker, glue, paper, resin, wood, paint, polycarbonate, 27 × 11 × 11 cm
Exhibition view
Charlotte Houette Sans titre (face), 2012. Acrylic, ink, metal hinge, jean, wood, glue, 54 × 65 cm.
Laurine Voisin, Where’s the catch?, 2022. Fabric, spray paint, tv rock, iPhone.
Léo Moisy, Sans titre, 2022. Plaster, polyester, 65 × 65 × 55 cm.
Léo Moisy, La grosse, 2022. Latex, polyurethane foam, plaster, 40 × 65 × 55 cm.